Scenes in Jafar Panahi’s powerful film ’’The Mirror’’ are so realistic that the movie has the feel of a documentary made with a hidden camera…’‘The Mirror’’ poses the deepest questions about illusion, reality and filmmaking. Its portrait of Teheran is unforgettable.
THE NEW YORK TIMES

An Illuminating, Graceful Tale of Modern Iran…thoughts are evoked by Panahi with ease and spontaneity in his graceful, fluid film that captures so well the vitality of everyday life in bustling Tehran
THE LA TIMES

Superb
TIME